"Selamat Pagi, Malam" Poster
Jakarta is so much more than meets the eye. Behind all the night lights and afternoon smoke pollution and crowds busy, there is another face of Jakarta. It seems that behind a mask, another shows how to peel an onion. To be honest, the Jakarta scene truthful and honest at night, when the dark side of society, the darkness of night strikes, whereby crude explosions just creatures of the night would know. This is when the whispers of passion and maybe a pinch be brought crime [dim] light. But above all, Jakarta is a city that lives and survives.
A new film by newcomer director happiness Kuswandi, provides this kind of Jakarta, a city that has been described by him as "prostitutes", be with cracks and far from being perfect, but one that so good is to live life as it knows how.
Selamat Pagi, Malam premiered (in the absence of the sun) and opened provided the 94-minute film with English subtitles for public viewing on 19 June 2014. and slips casually in English conversation in the dialogue. As one of the most creative young filmmakers from the time Kuswandi has said that this film is a very personal for him, scenes from various stages of his relationship with the city. mark 'Association The title is derived from a night in Jakarta, where the boundary between the morning and evening sometimes blurred together is.
Taken from three angles, the film uses a parallel multi-perspective view of a night on the town. The main characters experience a different night involved compared to, to have what they had imagined. Their paths cross during the night, but never formally meet together to create urban life an impression of volatile Serendipity in town. to spend with their unique intentions like a night in Jakarta, it more at the end than they had expected, but ultimately achieved emotional resolution goes beyond the night to end and it's time, "Good Morning, Night" to say, or 'selamat pagi, malam'.
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, the film begins with a view of Jakarta that is easy to see and learn; the heat, the traffic jams, public transport and street food. Slowly but surely, different layers of the city are represented, including the underground nightlife, social inequalities and prostitution. But forget the movie happier notes not know how to find pleasure in eating street food, nostalgic elements, if a neighborhood walk down, where to her childhood and hear laughter of children, living spends carefree and cheerful. Gia, played by actress Adinia Wirasti, is a 30-year-old Indonesian who spent most of the last decade in New York City, USA. Their return to Jakarta was greeted by a nagging mother, self-centered peers and an uppity society; a complete 180 from Jakarta she was used to. With a new look at these seemingly odd Jakarta, Gia, feel out of place, soulmate Naomi (Marissa Anita) takes on an adventure for the night, which come to a grim realization of Jakarta's circumstances and conditions that lead to the pursuit find their "place" in the town.
courtesy of www.kepomponggendut.com
from a different angle, Indri (Ina Panggabean) just want to live in this city of opportunities little. Through her love for online chat, it sets a date on a too good-to-be-true man and was disappointed when hitting him. The excitement of a thriving night in Jakarta was eventually had of Indri, with someone they meet at a random chance encounter. This is the potential of an unpredictable city.
woman. Surya, love called "Ci Surya 'for their Chinese heritage, is a mourning widow and the third viewpoint history. With just lost respect for her late husband, Mr. Surya (the encounter with a lady evidence of his fraud called Sophia), it sets to find out Sophia (played by singer Dira Sugandi) who works as a singer-cum-prostitute to a dingy lounge a seedy love hotel. Ci Surya, never really find their "place" outside of clubs to her husband experimented with what has at night to offer - alcohol, drugs, etc. - reflects perhaps even in her late husband position when he these "night" is set Finally Ci Surya finds peace in the poignant nature of desire to understand that. transitory nature of moments and finally himself as simply knowing Sara, in place of Ms Surya.
the dynamics of urban life is cooked and well presented in this tribute to Jakarta. It was targeted to premiere around Jakarta 487 th anniversary in celebration of the vibrant city. Newcomers, expats and tourists (and long-time residents of Jakarta) could take a pointer or two to make as familiar by viewing this film, to ways in Jakarta. You will be surprised how many clichés we undertake only because we have grown accustomed to a certain lifestyle in Jakarta. This film encourages viewers to take a step back and to the things we check are 'accepted' do in this city in the name. Selamat Pagi, Malam is a big ball of emotion and it is on a roller coaster ride through take it all; Sadness, happiness, satisfaction, surprise and even remorse.
The Jakarta that thrive despite their idiosyncrasies further reflected in the inhabitants of the city itself. Jakartans are survivors, they adapt well to changing environments, even at times when they feel like "there is no place here for us", as the slogan suggests. Settling in this city in is not without its challenges; even those who are returning visitors are facing problems back to adapt to lifestyle. Selamat Pagi, Malam overlooks the fight and complications that live Jakarta make a unique city. Jakarta is depicted in this film than the real city that never sleeps.
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